This week’s photoshop tip is brought to you by Jan (father of this not so little anymore baby), who asked me to talk about the vignetting I use on 99.8% of our pics.

colorado springs engagement portrait

First of all, to the sticklers out there, I apologize for calling it vignetting. Actual vignetting is a lightening as the picture goes toward the edges, like this (not the world’s best example, but you get the idea).

But in today’s trends, that kind of vignetting isn’t what people mean when they talk about vignetting. In fact, they mean the opposite (which is actually called fall-off)…the photo gets darker as it goes toward the edges.

I love vignetting (the dark kind). I think it really frames a photo and makes the subject pop. I tend to be more heavy-handed in my vignetting than some photographers (especially with my black and whites) because I adore it so.

Vignetting can occur naturally or be an added effect.

When I use a wide angle lens on my 5d, I get some “fall-off” naturally…and some people call that a “con” of the 5d, but for me, it’s like AWESOME! Saves me some time in Photoshop!

But usually, I’m adding the vignette, not “correcting” it. Here are the four ways that I add vignetting.

The free way:

When I first started our business this was my method:

Use the “burn” tool in Photoshop. Make a duplicate layer of your background photo, burn the edges or general background area, and then lower the opacity of that lower until the vignette looks as good as you want it.

colorado wedding photographer tip

Pros: Free if you already have photoshop. Total control over where your vignette is (which is why I still occasionally go with this method).

Cons: You can’t burn in anything that is totally white, so if your sky is completely white, you’re out of luck.

The free-if-you-have-Lightroom way:

I use this 75% of the time now.

Go to the lens correction panel and adjust the sliders. Farther to the left the top slider, the darker it will be. Move the midpoint slider to bring the vignette farther into the center of the photo.

colorado springs wedding photographer vignette tips

Pros: Easy peasey and almost free.

Cons: It applies the vignette to the pre-cropped photo. (Lightroom 2.0 does a post crop vignette, but call me crazy–it doesn’t look as good)

The $150 way:

(Before getting Lightroom, I used this 99% of the time…now I use it 24% of the time)

The Totally Rad Actions by Boutwell Studios has an “e-z burn” action that makes a very pretty vignette with the press of a button. Most photogs find this to be too strong and really drop the opacity. I usually use it at around 80%:

colorado springs wedding photographers screenshot

Pros: Easy. Awesome.

Cons: Expensive if you are only using it for the ez-burn action. If it’s used over a really light area, you can see it halo out toward the center and I’m not in love with that

The Other Expensive Option:

1% of the time, the Starburst Vignette in the Kevin Kubota Action Pack II is my vignette. It creates a star shaped vignette (looks way less god-awful than that sounds, so stay with me) and is best when you have a photo that needs a vignette, but you don’t want that haloing from the Totally Rad E-Z Burn and you can’t be bothered to burn it in yourself with the burn tool.

vignette by colorado wedding photographer

Pros: Subtle shape of vignette.

Cons: I hardly use it. The set is expensive if you’re just buying it for a vignette action that hardly gets used.

If anyone else has any requests for photography tips or photoshop tips, ask away!

Posted in Photoshop Tips

 

Here’s the final edited picture that I’m using today (from a Colorado Springs high school senior portrait shoot–thanks Ashleigh for being the model today)!

colorado springs high school senior portrait

Here is the SOOC version (stands for “straight out of camera” with no adjustments):

The healing brush in Photoshop is often turned to when skin correction is needed. However, I sort of hate the healing brush. It certainly has its uses, but many times the blemish or under-eye circles are near dark areas of the photo (like hair) and it turns the skin grey.

The way around that is my preferred method of spot correcting skin, and that’s to use the clone tool on a separate layer, and then knock back the opacity.

Here are the step by step instructions:

With your photo open, go to LAYERS>DUPLICATE LAYER.

With that top layer selected, use the cloning tool at 50% softness, sample an area directly below the under eye circles (by holding down the control key and clicking on the sample area), and then paint over the darkness.

Then adjust the opacity on that top layer to make it all blend together. This method is great because it leaves a little of the lines/darkness so that your subject will recognize themselves, but just see a newer, better rested self.

Colorado Springs final portrait

Posted in Photoshop TipsSenior Portrait Photographer

 

ha ha ha

Apr 06, 2008

This morning as I was trying to create a unsharp mask versus high pass sharpening comparison picture, I really wasn’t seeing much of a difference. I set about researching it, and it turns out that unsharp mask is basically a high pass filter. Same effect, just two different ways.

Which proves one more time that for every desired effect in Photoshop, there are a zillion ways to go about doing it.

Posted in Photoshop Tips